Alper
Bıçaklıoğlu
Artist
Alper Bıçaklıoğlu is the sixth guest of our interview series, focusing on the production practices of artists from different fields. He stands out with his dioramas and defines himself as a multidisciplinary artist.
I’m a multidisciplinary artist. My material, technique, and application process develop multilayered, and my works exist without repetition, with transformation. This transformation happens in the tone of the work. The tone of my works, the variety of materials, and my constant excitement and curiosity drive me to produce.
To me, this process is the most fun part because I start looking for things that excite me and don’t exactly know where they are. The time before production and the production process itself are inseparable. It starts with observing, reading, blending people's thoughts with what I experience and feel, and living with it inside my head. Before starting anything, I clean my workshop, this is the true beginning. The cleaning and the order is actually a metaphor. It’s the best way to clear my head, concentrate and get organized.
First comes the subject and the idea. Then the work starts forming in my mind, and sketches start compiling. The observation and of course the choice of material is quite important. I use recycled materials for my work and this cycle is crucial for me. I avoid consuming for a new piece of work and take joy in the transformation. Now that I’m ready to start, I must clean and organize my workshop. First, the form is shaped, and then the texture, colors, and other elements take their place. Then comes the details. I like to challenge myself with the finest details and realism, and this search for perfection nurtures me. At the point where it looks completed with all the details, that’s when I realize it’s just getting started. One of the best parts is taking a step back and looking from an external perspective. Even though I think it’s over, it’s only the beginning. Color, texture, scale, and everything must be in harmony and balance. No more, no less.
Some elements may repeat themselves or exist there in secret. I create street walls and the parts of the city structure (chaotic or fun). The street may repeat itself with unique objects or with key elements. I also enjoy repeating my “tag” or some street posters.
They’d definitely look like me and speak in Hakuna Matata.
I prefer radio in the workshop, this is an old habit. I like classical and jazz rap. Instrumental music helps me focus, the lyrics make me go along and I start dancing, ultimately boosting my motivation.
